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The Evolution of Vietnamese Cinema: Showcasing the Success of Co-Productions at FILMART 2025

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The film, Don’t Cry, Butterfly , was highlighted during a panel discussion, ‘Opportunities and Challenges of Europe-Asia Co-productions,’ which delved into the intricacies of cross-border filmmaking. The session was part of the Producers Connect program at FILMART, concluding last Thursday. Singapore’s Momo Film Co. managing director and producer, Si En Tan, shared insights into the movie’s production, describing it as a collaborative effort between Singapore, Vietnam, Indonesia, and the Philippines. This intentional choice of co-producers from the region, Tan explained, was driven by a desire to harness a shared understanding of culture and foster trust. “There was an immediate comprehension of the story we wanted to tell, and the spirits and myths woven into it,” Tan said, reflecting on the smooth production process. Don’t Cry, Butterfly follows the journey of mother Tam and her daughter, Ha, who set off on a motorcycle adventure after Tam discovers her husband’s infidelity. In h...

Hanoi’s Cinematic Extravaganza: International Film Festival 2024 Set for November

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Vietnam’s Deputy Minister of Culture, Sports, and Tourism, Ta Quang Dong, announced the biennial film festival with a focus on international collaboration and the celebration of cinematic excellence. The festival aims to provide a platform for Vietnamese and global filmmakers to connect, showcase their talent, and discover new voices in the industry. According to Deputy Minister Ta Quang Dong, the event will also showcase Vietnam as a safe and welcoming destination, known for its hospitality. The capital city of Hanoi will host a variety of events in November, including opening and closing ceremonies, award presentations, a film project market, and insightful seminars on the cinema industry. A special corner will be dedicated to showcasing German cinema, offering a unique perspective on filmmaking. The festival will bring together film producers, domestic and international distributors, foreign cultural centers, and the cinema industries of Japan, Germany, Russia, China, and the R...